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DEATH ANNOUNCEMENT

MUHAMMAD ASLAM SIDDIQUI

“Ustad Aslam”

10 June 1943 – 17 September 2026

Lahore

Imam of Mochi Gate and master calligrapher who taught Lahore to write with patience

Ustad Aslam used to say that a good line begins in the breath: you exhale, and the pen follows. Born in 1943 in Jalandhar, he was four years old when his family joined the long road to Lahore in 1947, carrying a Qur'an wrapped in green cloth, a copper pot and his father's reed pens. They settled in a two-room house near Mochi Gate in the old city, where he would live for the rest of his life.

At twelve he was apprenticed to a katib, a hand-calligrapher, in the lanes behind Anarkali, and spent years copying alphabets until his wrist ached. By his early twenties he was writing the headlines of an Urdu daily by hand in flowing Nastaliq, thirty lines every night before the presses rolled. When computer typesetting arrived in the nineties and the katibs lost their trade, he turned to teaching, giving evening classes in his own front room to boys and later girls, and visiting classes at the National College of Arts. He also copied three Qur'ans by hand, each taking two years, and for thirty-nine years he led the five daily prayers as imam of a small mosque in his lane, where he was also asked to settle marriages, quarrels and spelling disputes.

He drank sweet doodh patti from a steel glass, bought lassi for the neighbourhood children, and was strict about handwriting but gentle about everything else. He mourned the end of the katib's craft but never complained; he said ink had only changed its clothes. He died peacefully on 17 September 2026, aged eighty-three. He is survived by his wife, Razia Begum, his sons Tariq and Imran, his daughter Ayesha and eleven grandchildren, several of whom already hold their pens the way he taught them.

“Do not press the pen. Let it travel; you only keep it company.”

Funeral arrangements

Service
Janazah Prayer
Date & time
East Africa Time (Nairobi)
Venue
Masjid-e-Noor
Address
Mochi Gate, Lahore
Resting place
Miani Sahib Graveyard, Lahore

Funeral committees

Family committee

Coordinating the arrangements and supporting Muhammad's family.

  • chair: Tariq Siddiqui
  • secretary: Chaudhry Nazir
  • treasurer: Saima Khan

Contact: Tariq Siddiqui

Meetings: Daily at the family home, Lahore, 5pm

≈ KES 68,628 raised of ≈ KES 135,450

View committee & updates ›

Contributions · Ustad Aslam Calligraphy School Fund

≈ KES 254,904 raised of ≈ KES 516,000

Keep his evening calligraphy classes open and provide free ink, reed pens and paper to students of the old city.

Pay by M-Pesa or card

The form below uses USD. $10 ≈ KES 1,290; $25 ≈ KES 3,225. Your checkout shows the amount before you pay.

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Survived by

  • Spouse: Razia Begum
  • Son: Tariq Siddiqui
  • Son: Imran Siddiqui
  • Daughter: Ayesha Malik
  • Grandchildren: 11 grandchildren

Life journey

  1. 1947Migrated from Jalandhar to Lahore · Jalandhar to Lahore

    Crossed with his family at the age of four, carrying a Qur'an and his father's reed pens.

  2. 1955–1995Apprentice, then Master Calligrapher (katib) · Nawa-i-Waqt (Urdu daily) · Lahore

    Wrote headlines by hand in Nastaliq every night for forty years.

  3. 1968Married Razia Begum · Lahore

    A marriage of fifty-eight years.

  4. 1982–2021Imam · Masjid-e-Noor, Mochi Gate · Lahore

    Led the five daily prayers for thirty-nine years and settled many neighbourhood disputes.

  5. 1996–2018Visiting teacher of Nastaliq calligraphy · National College of Arts · Lahore

    Taught a new generation to write by hand.

  6. 2009Lifetime Achievement in Calligraphy · Alhamra Arts Council · Lahore

    For preserving the art of the katib.

Condolence messages (6)

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Imran Siddiqui

Son, in Birmingham

I left Lahore in 2003 with Abbu's reed pen in my suitcase. He said, 'It will feel heavy until you need it.' Last night I wrote his name in Nastaliq for the first time and my hand did not shake. He is in the pen.

Chaudhry Nazir

Former colleague at Nawa-i-Waqt

On press nights he wrote thirty headlines without once looking up. The sub-editors used to say the paper's errors were all in the typesetting, never in Aslam's handwriting. When computers came he wept quietly into his tea, then went home and opened a school.

Bilal Hussain

Former student, now a graphic designer in Birmingham

I walked into his front room at nine with a broken pen and a bad attitude. He taught me to breathe before every stroke. I design logos in Birmingham now, and every curve I draw still starts with a breath. His last lesson to me, on a video call, was a single word: 'Slower.'

Saima Khan

Art teacher and former student

He was the first calligrapher in my life who let a girl hold the qalam. 'The reed does not know who holds it,' he said. I teach at a girls' school in Gulberg now and say the same thing. He changed my family's mind about what I could do.

Zainab Ali

Student in his evening class

He paced behind us during practice, never saying a word, and then turned a single stroke by a hair with a touch of his finger. We felt that correction in our hands for the rest of the week. On Friday I wrote his name on my wrist.

Haji Rasheed

Neighbour and mosque committee member

For thirty-nine years he led our Fajr prayer, even in winter, even with a cough. His recitation was like his calligraphy: unhurried, balanced, never showy. The mosque feels like a page from which the master's pen has just been lifted.